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・ Bob Dylan
・ Bob Dylan (album)
・ Bob Dylan 1984 European Tour
・ Bob Dylan and The Band 1974 Tour
・ Bob Dylan and the Grateful Dead 1987 Tour
・ Bob Dylan at Budokan
・ Bob Dylan bibliography
・ Bob Dylan Blues
・ Bob Dylan bootleg recordings
・ Bob Dylan discography
・ Bob Dylan England Tour 1965
・ Bob Dylan Gospel Tour
・ Bob Dylan Tour with Mark Knopfler 2011
・ Bob Dylan Tour with Mark Knopfler 2012
・ Bob Dylan World Tour 1966
Bob Dylan World Tour 1978
・ Bob Dylan World Tour 1981
・ Bob Dylan's 115th Dream
・ Bob Dylan's Blues
・ Bob Dylan's Dream
・ Bob Dylan's Greatest Hits
・ Bob Dylan's Greatest Hits Vol. II
・ Bob Dylan's Greatest Hits Volume 3
・ Bob Dylan's recording sessions
・ Bob Dylan, Performing Artist
・ Bob Earl
・ Bob East
・ Bob Eastaway
・ Bob Eastwood
・ Bob Eberle


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Bob Dylan World Tour 1978 : ウィキペディア英語版
Bob Dylan World Tour 1978

The Bob Dylan World Tour 1978 was a concert tour by American singer-songwriter Bob Dylan.〔() bjorner.com, Retrieved September 11, 2011〕 In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. When Dylan brought the tour to the United States in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the Los Angeles Times that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California." 〔Sounes, 2001, Down The Highway: The Life Of Bob Dylan, pp. 314–316.〕 It was on this tour that Dylan found Jesus and became a born-again Christian.
==Releases==
Concerts in Tokyo in February and March were recorded and released as the live double album, ''Bob Dylan at Budokan''.Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review,〔(), robertchristgau.com, Retrieved 11 September 2011〕 while Janet Maslin defended it in Rolling Stone, writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." 〔

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